This is usually all of the vocals: lead vocals, background vocals, harmonies, & adlibs. You will not need to bounce out the individual beat stems for this version all of the instruments are summed to one two track file. This mix only contains the instruments or beat. The song is not shortened or extended either.Īll the vocals, including adlibs & vocal FX are muted. Nothing is censored & nothing is muted from the final mix. If the A Capella’s volume is set to be overly loud, it will cause headroom conflicts with the track it is being blended with.

Another example is if a DJ uses the A Capella to blend on an entirely different beat or vice versa. Keeping the limiter at the same volume as the original mix & master will allow someone to blend the two together without the combined volumes clipping. The reason being is if the artist or producer wants to later blend the Instrumental & A Capella tracks together. You will not need to enhance the gain on your limiter.

That way if a DJ or even the artists blends versions for a performance, everything will line up exactly together.Īnother question you may have is if you need to increase the overall volume if you are just bouncing out an A Capella or Instrumental. Meaning if the audio starts playing 1 second in on one version, then it should start playing at 1 second on all the other versions. It is typically good practice to have each alternative mix have the exact same starting point. There are also versions of the mix that we prepare for publishing companies as well. When we mix for our clients at we send all these versions once the mix is finalized regardless of if they are requested or not. These are mixes that can be used for different situations, different types of placements, & various performance scenarios. When it comes to mixing for your clients or sending your tracks out to a publishing library, you will often need to deliver alternative versions of the mix. Creating Alternative Versions To Your Songs Explained!

Omnisphere alternative